The poor performing and honestly unattractive Israeli "star" Gal Gadot is disappointed by the poor results of her latest flop ‘Snow White’. She adds that she felt pressure to "speak against Israel"'s genocide, mass starvation of indigenous Palestinians and the Israeli government's imminent plan to ethnic cleanse Gaza of its entire population.
You have to remember that Gadot's fame was artificially forced on the viewing public long before the Israeli genocide campaign against the native indigenous people of Palestine killed, starved, and made refugees over and over by ultra-religious Jewish barbarians who claim that some garbage and capricious Bronze Age god, Yahweh, gave them Palestine some 3,000 years ago. Yes, they argue, it is written in the garbage parchment Torah or Old Testament, expressly written by themsleves/ancestors as a way to aggrandize themselves at the expense of other people. And now it is used as a "property deed" by those who stand to steal Palestine.
Hollywood is mostly owned and managed by Jewish producers and filmmakers. For decades, its movies have amplified Zionist propaganda and reduced the Palestinian victims of Israel's artificial creation to bad people and terrorists, instead of describing the plight of this indigenous people facing an invasion, an uprooting from ancestral lands and villages by rape, buring and slashing at the hands of Nazi-reared Zionist Jewish terror organizations like Haganah, Stern Gang, Lehi group, Irgun and others. The creation of Israel was NOT an act of heroism as many Hollywood movies falsely told international audiences, for the specific objective of garnering sympathy for foreign central and eastern European rapists and invaders with Socialist and Communist ideals - Kibbutzim are an Israeli replica of the Soviet Sovkhoz and Kolkhoz models of communist social engineering - whose objective remains to cleanse Palestine of its indigenous people to make way for more barbarian religious extremist settlers.
Gal Gadot is a substandard actress artificially promoted to the status of "star" only to give a nice image of the Jewish colony in Palestine. By making a hero out of someone hailing from the ultra-religious barbarity of the colonial implant in the Near East, Hollywood hoped to continue in its path of subverting the truth of the tragedy of Palestine and promoting the false Zionist narrative behind the creation of Israel.
But I give her credit because she did not utter the standard "antisemitic" accusation to explain her failure as an actress. It would be a stretch to blame the millions who refused to see her violence-laden movie and accuse worldwide audiences of "antisemitism". So she couched the explanation for her failure as "pressure to speak against Israel". But I thought Zionists had convinced the world that Zionist=Jew=Israeli and that one could not criticize the genocidal acts of one without impugning the other two. Israel is, acccording to them, immune from any criticism (even when perpetrating inhumane and barbaric acts) because it is composed of Jews who must be Zionists because they live in the Jewish Disneyland on the Mediterranean that Theodore Herzl fantasized about and for which the British gallantly offered them someone else's real estate.
During an interview, Gadot said “Snow White’s” poor box office performance was partially because of pressure in Hollywood to “speak against Israel” amid the ongoing conflict with Palestine. Which means that Hollywood is beginning to feel the pinch of bad reputation for its blind support for Israel. Unfortunately, it took the vicious and barbaric attack by Hamas on October 7, 2023 to finally open the eyes of the world to the tragedy of the Palestinian people. The information revolution of recent decades has opened the long-hidden archives of what really happened in Palestine beginning some 100 years ago: Now we know that Palestine was - and continues to be - the victim of the only extant European colonial takeover of an indigenous land and the massacre and dehumanization of its people.
And so, as is typical of American corporate "ethics", Hollywood is ever so slightly shifting the otherwise abysmal and corrupting content of its chain-assembly movies to a more balanced view on Palestine, because it sells its garbage to illiterate ignorant people around the world: The Arabian peninsula, including Saudi Arabia, the Gulf Emirates and other neo-colonized regions of the world, are like a sponge of everything garbage America produces, from giant gas-guzzling trucks, to diabetes-causing sugar-loaded soft drinks and disgusting American fast food, and on to stupid infantilizing non-educating violence-worshipping Hollywood movies.
Hence, the feeling that Gal Gadot got from her terrible "Snow White" flop. And she admits, “You know, this happens a lot in various industries, including Hollywood,” she said. “There’s pressure on celebrities to speak against Israel. And, you know, it happened.” She naturally does not explain why there is pressure to speak against Israel's barbarity and savagery, "And I was disappointed that the movie was incredibly affected by all of that and that it didn’t do well at the box office.” Oh, the humanity. And not a word from Gadot on her country's deliberate starvation and killing of people in the Palestine her country illegally occupies and plans to steal.
Alongside Gadot, the film starred Rachel Zegler as the titular Disney princess, Andrew Burnap as the Prince Charming stand-in Jonathan, Patrick Page as the Magic Mirror and Ansu Kabia as the Huntsman.
Israeli apologist critic Owen Gleiberman still views Hollywood as an innocent bystander whose movies have no impact on the real world, when the reality is that Hollywood has worshipped violence and elevated it to a form of art, has participated in the distortion of historical events, and is generally viewed as a mouthpiece of official American policies. Gleiberman said, “With all the turmoil besetting the real world, you’d think there might be more important things to inflate into controversies than the pre-release kerfuffles that have plagued Snow White".
According to this idiot's rationale, the 1948 mass expulsion, rape and diaplcement of a native population by foreign invaders, the current mass massacre of 65,000 innocent women and children, the engineered mass starvation of babies, the ongoing genocide and ethnic cleansing perpetrated by Gal Gadot's colonial Zionist society... are "inflated controversies" that affect Hollywood's bottom line, and should therefore not be raised or discussed, as was the case during the golden years of Zionist monopoly on propaganda when the criminal murderer was made a hero (Exodus) and the victim a criminal terrorist for simply resisting the loss of country, land and identity.
How do you interpret casting a right-wing republican fanatic, gun-toting NRA-Chief Charlton Heston, in the role of the funky stinking biblical nomad and so-called "prophet" Moses who led his people out of Egypt and guided them to massacre and ethnically cleanse Palestinian Canaan? If the Hebrews were so brave, why didn't they fight their real tormentors the Egyptians, instead of fleeing like cowards and massacring the innocent Canaanite Palestinians and destroying their nation and stealing their land?
Gadot admitted that navigating the controversies that surrounded the release of “Snow White” this year was challenging. Her costar Rachel Zegler came under fire in 2024 after posting the words “and always remember, free palestine” on X after thanking her fans for their support for the “Snow White” trailer. Gadot served in the Israeli Defense Forces (IDF) from 2004-2009 and is likely to have killed innocent Palestinians, displaced and mistreated thousands of them, and assisted rabid ultra-religious extremist Jewish settlers as they burned Palestinian villages and killed their inhabitants.
Zionists are losing the monopoly on the narrative. In the streets and in the movie theaters. People see the horrors that the Holocaust victims are inflicting on their Palestinian victims, and a cognitive dissonance is settling in between the brainwashing propaganda of past decades and the gruesome reality of the supposed Israeli victims demonstrating their imbedded colonial violence.
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